Samstag, 31. Dezember 2011
Out & About
Oprah and guests sipped on Voli Light Vodka holiday drinks at the OWN Holiday Party at the Beverly club.
Richard Simmons is featured in a new online ad for Air New Zealand called "Who Murdered Rico."
Singer JoJo, the gorgeous new face of Clearasil, performed a free pop-up concert at Hollywood & Highland in LA.
The stars came out to do some holiday shopping for a good cause at the West Elm Los Angeles Holiday Party, for the Grand Opening of the store. Amy Smart was seen picking up gifts for family and friends that night, with proceeds benefiting the Art of Elysium, a non-profit organization for critically ill children.
Matt Dillon danced to the music of Dj Foti and Dj Sinatra at the Baoli-Vita Art Basel event.
Renee Graziano and Karen Gravano from VH1's Mob Wives attended the opening of Dr. Michael Fiorillo's med spa in NYC.
The View?s Sherri Shepherd was spotted on an orange carpet in Times Square this weekend for the national launch of Cuties Clementines. She posed with the Cuties mascot Lil? Zipper and hosted the day of family fun to celebrate the kid-friendly fruits.
Biggest Loser chef Devin Alexander hosted a dinner at her home for alumni contestants, serving recipes from her Biggest Loser Quick & Easy Cookbook.
Florence + the Machine, Foster The People, Bush, Jane's Addiction and more performed at KROQ's annual Almost Acoustic Christmas at the Gibson Amphitheatre.
Tori Spelling picked up some active wear from Strut This at Santa's Secret Workshop in West Hollywood.
Jason Ritter attended Nintendo's launch of Mario Kart 7.
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'Hunger Games' Hopes And More: 2012 Movie Wish List
Jennifer Lawrence in "The Hunger Games"
Photo: Lionsgate
As we while away the last few days and hours of 2011, looking back upon all the great, unforgettable fare that descended upon our cineplexes this year, we can't help but get excited for what the new year will bring us.
We might not get another "Harry Potter," but there's a lot coming down the pike to fill the void: a new "Alien"-esque film in "Prometheus," the gritty and ruthless "Hunger Games," the superhero spectacle "The Avengers," and a brand new Batman, via "The Dark Knight Rises." Here's a brief rundown of what we hope delivers on the hype and makes our "Best of 2012" lists this time next year.
A Successful "Avengers" Assembly
I have a lot of high hopes for movies in 2012. I need "Prometheus" to be as awesome as it appears to be, and Christopher Nolan has to send Batman off in style, but perhaps my biggest concern comes in the form of "The Avengers." Bringing Earth's Mightiest Heroes together under one cinematic roof is a lofty idea, and one that could easily explode in Marvel's face. A successful "Avengers" would mean ambitious, world-building films that extend across multiple franchises can exist. An "Avengers" that fails both critically and commercially is nothing short of a gut shot for comics on the big screen. Too much effort and passion, both from filmmakers and fans, has been put into "The Avengers" over the past few years. Marvel absolutely has to get it right ... and I've got all my fingers, toes and what-have-you's crossed that they will. - Josh Wigler
Taylor Kitsch Solidifies His Movie-Star Status
Fans of the dearly departed drama "Friday Night Lights" know Taylor Kitsch as big Tim Riggins, the football-playing, bad-boy-with-a-big-heart from Dillon, Texas. But if you've never spent four quarters with the state champion Panthers, you may not be well-acquainted with Kitsch's sizeable acting chops (and even bigger biceps). After all, his big-screen turns ("X-Men Origins: Wolverine," "The Bang Bang Club") haven't left such an indelible mark as his TV alter ego. But that could (and should) all change in 2012, as the 30-year-old headlines two big-budget popcorn flicks: Disney's "John Carter" and the boardgame-cum-potential-blockbuster "Battleship." Here's hoping clear eyes and full hearts really can't lose. - Amy Wilkinson
"The Hunger Games" Takes Out "Twilight"
The end of the "Twilight" film franchise is bittersweet. We'll miss our favorite vampires and werewolves, but 2012 marks the arrival of a new franchise that deserves just as much attention and adoration as Stephenie Meyer's fangtastic fantasyland. "The Hunger Games" is not "Twilight" and shouldn't ever be compared as such, but it deserves that blockbuster status. This is a story about survival, self-reliance and discovery, with a female protagonist who is strong, resilient, independent, intelligent and real. In short, Suzanne Collins' creation has everything modern youth-targeted fiction lacks. I pray to the movie powers for Gary Ross' big-screen adaptation to be the biggest success story of the year and that the fan fervor for the "Games" doubles that of "Twilight." - Kara Warner
Luck For "Looper"
Looking ahead to 2012, it's impossible to not stop in awe when considering the sheer number of blockbusters I can't wait to see. This is "stars aligning" material. We're talking Batman, Bilbo and Bond, but if I have my way, people will turn out in droves to see a movie they probably haven't heard of yet: Rian Johnson's "Looper." A sci-fi/crime movie hybrid, "Looper" takes place in the near future where mobsters send their enemies back in time where waiting hitmen finish the job. In the film, Joseph Gordon-Levitt and Bruce Willis play the younger and older versions of the same character, and if that and the story don't completely sell it, I'm afraid you're lost, my friend. Test screenings left critics raving, and Johnson has made consistently interesting work since his indie debut "Brick." If there is any justice at the movies, people will see "Looper." - Kevin Sullivan
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'Prometheus' Trailer: Five Key Elements
Photo: 20th Century Fox
If you're a fan of movie trailers, consider your holiday wants and wishes fulfilled now that the teaser for Ridley Scott's "Prometheus" has dropped. It's the fourth trailer released this week for a hugely anticipated 2012 film, following "The Dark Knight Rises," "Wrath of the Titans" and "The Hobbit." Here's a look at five key elements that deserve MTV News' over-analysis:
Plot Tease
We still don't know a lot about the story line in this film, but this one-minute spot sheds a lot of light on what the action will center around: a team of explorers, scientists and anthropologists sets out on a journey to find clues to the origin of our species. "What they found could be our end," we're told in cold, blue type, before quick cuts of what looks to be death and destruction. And although the prequel rumors have been shot down by those involved, there is room here to interpret it as such. Not to mention the title: In Greek mythology, Prometheus is the titan who stole fire from Mt. Olympus and gave it to humans. If the humans in the film are searching for their origin, maybe it is Prometheus, in some way, shape or form.
Lost in Space/Discovery of Life on Other Planets
Unsurprisingly, there are several gorgeous shots of space vehicles, spaceships, spacesuits, etc. that help properly accentuate the size and scope of what it would be like to be up/out there, as well as how big this film really is. Director Ridley Scott shot the film in 3-D and serves up a few hints to the beautiful technology at play, though there is still a grittiness to it all. This is not friendly, bright and shiny unexplored territory; it's dark, dangerous, deep space. And then there are the scenes at the end of the trailer that look to take place on another planet, in another galaxy. There is dry, dusty terrain and ancient-looking symbols, a towering horseshoe-shaped totem of some sort, that looks to be either crumbling to the ground, or it is moving of its own accord, beginning a small war between the natives and the humans who've discovered them.
The New Ripley(s)
It's hard to talk about Ridley Scott and an "Alien"-esque movie without thinking about Sigourney Weaver as Ripley, one of the most bad-ass protagonists in film history. There's no replacing Ripley, but Scott has enlisted two very capable ladies to carry the torch: Noomi Rapace and Charlize Theron. From what the trailer shows, both women will be fighting for their lives, but Rapace seems to be the most Ripley-esque, particularly in one shot where she is hanging upside down, being held by someone or something. The resemblance is uncanny. And let's not forget about the rest of the cast, of whom we get only brief glimpses: Michael Fassbender, Idris Elba, Guy Pearce and Rafe Spall.
That Ridley Scott Touch
The trailer is cold, calculated and just too cool. Just like Scott has said himself, if "Prometheus" isn't an "Alien" prequel, the two films definitely share the same DNA — not to mention a few "Blade Runner"-esque elements thrown in for good measure. And as is the case with most of Scott's films, the effects are far more practical than CG. The world of "Prometheus" is set in a distant future, but not too distant. It's big, bold and, very likely, terrifying.
The Alien(s)
As much as we might have hoped to see some big, bad aliens in this trailer, all we get are hints of an unidentified, menacing force out there. In one brief scene, the team happens upon an area full of small, perfectly arranged casings that could be artifacts or alien eggs, we don't know. But we do see one of the humans' helmets enveloped by a mysterious gas, followed by a loud, painful scream. There is a quick shot of the head of something being examined in a lab, what looks like it might be an alien ship of some sort hovering over dusty terrain, followed by brief shots of human suffering at the hands of something we can't quite make out. Yet.
"Prometheus" hits theaters June 8, 2012.
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Lady Gaga, Britney, Taylor Swift, Beyonce Drop Concert DVDs
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Taylor Swift
Photo: Getty Images
Music fans planning to burn off those post-Thanksgiving calories with some holiday shopping are in luck: Some of pop's biggest divas dropped live DVDs on Monday (November 21): Beyoncé, Lady Gaga, Taylor Swift and Britney Spears all have concert specials out, just in time for your Black Friday wish list. Here, MTV News breaks down the four releases (and one more to watch out for).
Taylor Swift
Just as Taylor wraps up her Speak Now Tour this week, the American Music Award winner is releasing "Speak Now World Tour - Live." The 18-song DVD features Swift performing some of her biggest tracks during that arena-filling trek. And if that's not enough Taylor, there's also a 16-song CD that fans can snatch up.
Beyoncé
Filmed over four shows in New York, weeks before B announced her pregnancy at the VMAs, the "Live at Roseland" DVD special shows the Queen B recounting some of the greatest moments of her career before launching into a nonstop live performance of her 4 album. It also includes behind-the-scenes footage that gives fans their first look at the wedding dress Beyoncé wore the day she married Jay-Z.
Lady Gaga
Lady Gaga is giving her little monsters a front row seat to her epic Monster Ball Tour. Filmed during stops at Madison Square Garden earlier this year, the concert originally aired on HBO and earned the pop star an Emmy. The DVD also includes previously unseen material that didn't make the final cut on HBO. In addition, Gaga is releasing a new album, Born This Way - The Remix, today.
Britney Spears
After debuting her Femme Fatale live concert special on Epix earlier this month, Spears is releasing the spectacle on DVD this week for those who may have missed it. Full of costume changes, swirling dance numbers and a sexy lap dance, this special is perfect for the Brit enthusiast.
One to Pre-Order: Adele
A fifth diva will get into the game on Cyber Monday. On November 28, Adele drops her own concert special, "Live at the Royal Albert Hall." And given that it might be a while before the singer hits the road again (she's on the mend from throat surgery), the DVD will at least give fans a taste of Adele's live stage show.
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'War Horse': The Reviews Are In!
Tom Hiddleston in "War Horse"
Photo: DreamWorks
The Christmas holiday offers a staggering array of fresh cinematic choices. The last two weeks have given us films about chipmunks and tigers, 19th-century detectives and 21st-century spies, motion-captured adventurers and motorcycle-riding hackers. Shoot, there are not one but two Steven Spielberg flicks to choose from when all of your presents have been opened and that post-holiday-meal coma has set in.
The most recent is "War Horse," which nabbed two Golden Globe nominations and is likely to garner a slew of Oscar nods, including Best Picture and Best Director (even if the reviews are mixed). The movie, which hit theaters on Sunday (December 25), isn't polarizing so much as it is, in critic Bill Goodykoontz's lovely phrasing, a "litmus test" for moviegoers' feelings about Spielberg's films in general. Some reviewers have lauded the beautiful cinematography and stellar cast, while others have taken issue with the film's overly sentimental tone.
Read on for a deep dive into "War Horse" reviews.
The Story
"The film deals with the relationship between Albert Narracott (Jeremy Irvine) and his horse, Joey. It's a sprawling story that uses the background of World War I as a framework, but it's really a very direct journey. Albert's father (Peter Mullan) buys a horse, Albert falls in love with it, WWI begins, the horse is sold to Captain Nicholls (Tom Hiddleston), and Albert decides to enlist so he can find his horse and keep him safe. The film follows Joey from owner to owner, using the horse's journey as a way of dipping into a number of stories along the way, and eventually reaching a rousing and nakedly tear-jerking finale. It is an episodic film, and how you feel about the movie as a whole will depend largely on whether or not you are moved by the various stops along the way." — Drew McWeeny, HitFix
The Performances
"The cast is exemplary down the line, with both names and newcomers delivering expansive, emotional and almost entirely sympathetic performances. Neither side in the conflict is ennobled or demonized; like Joey (and a striking black steed who's his companion for a while), the grunts are just pawns in the hands of unseen manipulators of countless fates. Irvine is the very picture of a sturdy, well-intentioned, ruddy-faced English country lad of a hundred years ago and Mullan and [Emily] Watson look to have come from the earth they tread. Tom Hiddleston cuts a striking figure as an English officer who understands Joey early on, setting an example for the many others who briefly come and go through the horse's life as the war grinds on." — Todd McCarthy, The Hollywood Reporter
The Action
"Spielberg's battle scenes are a marvel of sight and sound — the latter literally shakes the theatres from the pop of rifles and the thunder of cannons. Spielberg tugs at the heart strings, but he's also not afraid to smack you upside the head with combat that realistically shows the madness of war. He interrupts the action too often, perhaps fearing a punitive censor rating. There are long stretches of 'War Horse' where Joey passes from hand to hand like the precious golden circle of 'The Lord of the Rings,' as this barnyard Balzac further demonstrates its wisdom and stoicism while dispensing silent life lessons." — Peter Howell, Toronto Star
The Dissenters
"[It's] overlong, painfully earnest and sometimes even hokey. Clearly, Spielberg intended 'War Horse' as a throwback, an homage to good, old-fashioned, heartrending storytelling, full of recognizable types and uplifting themes. The skies are so impossibly colorful in such a retro way, they look like hand-painted backdrops on a soundstage. And the dialogue is so frequently on-the-nose and repetitive, it might just make you cringe." — Christy Lemire, The Associated Press
The Final Word
" 'War Horse' is a sort of litmus test for how you feel about Steven Spielberg's films. It's a beautiful movie, stunning to look at, with echoes of film history all throughout, reaching back to 'Gone With the Wind,' 'The Searchers,' Spielberg's own 'Saving Private Ryan' and more. It's also unapologetically sentimental. Spielberg all but begs you to cry, and unless you're a heartless cad, you probably will." — Bill Goodykoontz, The Arizona Republic
Check out everything we've got on "War Horse."
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Beyonce Slinks Around In 'Dance For You' Teases
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Beyoncé in "Dance With Me"
Photo: Columbia Records
Beyoncé just wants to "Dance for You" in new teases for her 4 album track. The sexy video will be featured in the deluxe edition of Queen B's "Live at Roseland" DVD special, out November 29.
In two clips posted on Aceshowbiz.com, Beyoncé dons hot pants, garters and a slinky wrap dress as she performs a sexy dance routine on a desk. The video has a film noir vibe, as a private eye-type character watches Beyoncé as she dances.
In the other tease, Beyoncé, in the same outfit, dances seductively in front of a chair as the camera cuts to the detective fellow watching her.
"Dance for You" is one of three tracks featured as bonus material on the deluxe version of 4, along with "Lay Up Under Me" and "Schoolin' Life." The track was produced by The-Dream and features writing credits from Tricky Stewart as well as Beyoncé. It's a sexy R&B jam about keeping things hot with her man. On it, she sings, "Tonight I'm gonna dance for you/ Tonight I'm gonna dance for you/ Tonight I'm gonna put my body on your body/ Boy, I like it when you watch me/ Tonight it's going down."
"Live at Roseland" was filmed in August over four shows performed at the Roseland Ballroom in New York City. It features Beyoncé recounting anecdotes about her career while she performs some of her older tracks, before launching into a nonstop performance of 4 played straight through.
The standard edition of "Live at Roseland" hit shelves this week, along with concert specials from Britney Spears, Lady Gaga and Taylor Swift. Adele also drops her "Live at Royal Albert Hall" DVD on November 29.
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Steve Jobs To Receive Posthumous Grammy
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Photo: Getty Images
While Steve Jobs didn't belt out soulful songs or create lyrical poetry like the artists typically honored each year by the Recording Academy, his singular contribution to the music industry has earned him a special tribute at the 2012 Grammy Awards.
It was announced on Wednesday that the Apple co-founder will receive a posthumous Grammy in February. His innovative approach to downloading music through iTunes revolutionized music in an era where music piracy and illegal downloading was rampant. Jobs died in October after losing a seven-year battle with pancreatic cancer.
Remember Steve Jobs' many innovations by flipping through this photo gallery.
The 56-year-old visionary will be remembered as having helped "create products and technology that transformed the way we consume music, TV, movies, and books," according to a statement from the National Academy of Recording Arts and Sciences. The award will also recognize "Jobs' innovations such as the iPod and its counterpart, the online iTunes store, which revolutionized the industry and how music was distributed and purchased."
Not only is Jobs getting a Grammy but a bronze statue was recently erected in his honor in Budapest, Hungary. The statue was commissioned by Hungarian software company Graphisoft, which has had a close relationship with Apple since the 1980s, according to Reuters.
News of Jobs' death created waves throughout the world with the likes of President Obama and Nicki Minaj remembering the tech giant. The Apple co-founder is not the only one receiving a posthumous Grammy; trailblazer Gil Scott-Heron will also be honored with a Lifetime Achievement Award come February 12.
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'Drive' Is MTV's #2 Movie Of 2011
Ryan Gosling in "Drive"
Photo: FilmDistrict
In October, a Michigan woman filed a lawsuit against FilmDistrict for misleading her about the film "Drive." She claimed the movie's trailer promised a more action-packed film and "promoted the film 'Drive' as very similar to the 'Fast and Furious,' or similar, series of movies."
But the suit succeeded in only one respect: It perfectly described why we love "Drive" and why it's #2 on MTV's Best Movies of 2011 list.
Everything about "Drive" subverts expectations. The main character, played by Ryan Gosling, doesn't have a name besides "Driver" and rarely speaks. We root for him despite knowing nothing about him or what's going on behind his stares. All the audience has to go off is his affection for his down-the-hall neighbor Irene, played by Carey Mulligan, and his sudden, violent outbursts, which surprise with horror levels of gore.
This is all the more shocking when you consider that for the first 30 minutes of the movie, the story plays out in a slow and quiet way, more like a romantic comedy than a crime thriller. Driver's relationship with Irene puts the audience so off its guard that when the violence finally erupts, it's instantly unforgettable.
Director Nicolas Winding Refn sets up the film's opening chase sequence in a way that looks and feels like a "Fast and Furious" movie, but as soon as it starts, it stops — literally. Driver parks the getaway car to remain out of sight. It's a subtle move that sets the tone for the rest of the movie.
And speaking of tone, what other film captured as much attention for its use of music and atmosphere? The synth-laced soundtrack by Cliff Martinez and a collection of electro-pop songs had everyone talking. Out of context, the choice for the music doesn't make sense, but the second "Nightcall" drops in over the neon-pink title, all the pieces come together.
When describing the movie to others, most people struggle until they stumble upon the word "cool." "Drive" is cool in a way that most action movies with their overly muscular heroes and explosions could only dream of being. Gosling and Refn captured an exact balance of warmth and coldness, emotion and indifference that makes the film's look, sound, story and characters feel like instant classics.
All of these elements would make for a great film, but that would mean ignoring a stellar supporting cast. Albert Brooks oozed menace and dark humor as the villainous pizza parlor owner/low-level mob boss Bernie Rose, and Bryan Cranston continued his streak as the most likable actor working today as Driver's mentor Shannon.
For all its surprises and unexpected turns, "Drive" is our second favorite movie of the year. It took tired movie clichés and flipped them on their heads to make one of the most original and hard-to-forget moviegoing experiences in recent memory.
Stick with MTV as we count down the Best of 2011, including the top Artists, Songs, Live Performances and EDM Artists of the year.
Check out everything we've got on "Drive."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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Montag, 19. Dezember 2011
Usher - Hey Daddy (Daddy's Home)
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Robert Plant And Alison Krauss Win Grammy Album Of The Year
Alison Krauss and Robert Plant accept the award for Album of the Year at the Grammy Awards on Sunday
Photo: Kevin Winter/ Getty Images
"I'm bewildered," Robert Plant said onstage as he accepted the Grammy Album of the Year award with Alison Krauss on Sunday night. "In the old days we would have called this selling out, but it's a good way to spend a Sunday."
He was probably one of the few who were surprised, because Raising Sand, which won five trophies at Sunday night's show, is in many ways the perfect Grammy album. It features two respected veterans, a critically lauded producer, some sandpaper-and-velvet vocals and a baker's dozen of time-tested standards.
You're probably familiar with Robert Plant from his Led Zeppelin days, and you might be aware of producer T-Bone Burnett's work on the "O Brother, Where Art Thou?" soundtrack (it won the Grammy for Album of the Year in 2002). And if you don't know who Alison Krauss is, she possesses a haunting set of pipes and is one of the meanest fiddle players in the world. Oh, and she's won 21 Grammys, more than any other female artist and the seventh-most in history.
Really, she's the key to Sand's success, and not just because of her voice (or her fiddle playing). She and Plant first met in 2004, at a Rock and Roll Hall of Fame tribute to legendary bluesman Leadbelly, and the former Zeppelin man was amazed by her knowledge of American Roots music — so much so that they began kicking around the idea of recording an album together. Three years later, Sand was released.
And while Plant possesses the more famous voice, the album's finest moments radiate from Krauss. Whether she's getting bluesy on Little Milton's "Let Your Loss Be Your Lesson" or entwining with Plant's husky voice on songs like "Please Read the Letter" and Roly Salley's winsome "Killing the Blues," she more than carries her end of the bargain.
And perhaps that's also due to producer Burnett, who handpicked the 13 songs the duo cover on Sand. His arrangements are sparse — giving the two voices ample room to breathe — yet dense, warm and crackling at the same time. It's a testament to his work that he's often given just as much billing as Plant and Krauss on the project ... and it's certainly justified.
To date, Sand has sold more than 1 million copies, heaped tons of acclaim and actually earned a Grammy last year — "Gone Gone Gone (Done Moved On)" took home the award for Best Pop Collaboration With Vocals.
One expert was surprised not by the album's success, but by the fact that it's actually quite a good album.
"At first, the album seemed like a vanity project. ... Two names, clearly a one-off record, didn't have to be any good, you know?" New York Times music critic Jon Caramanica said. "Led Zeppelin fans would buy it because of Robert Plant, Alison Krauss would get a check. But it actually turned out to be a really thoughtful, really good record. So when you combine all that with the fact that the Grammys love to lionize one of their own, I could really see it taking home some awards."
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Britney Spears Wraps Femme Fatale Tour
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Photo: Ethan Miller/ Getty Images
After taking her tour around the world, Britney Spears wrapped up the elaborate Femme Fatale trek on Saturday in Puerto Rico.
But before she took the stage, Spears celebrated her big 3-0 with a party on Friday night. The belated birthday bash took place a week after her December 2 birthday. The pop star tweeted all about the party, giving fans a picture of her blowing out the candles on her elaborate, multitiered birthday cake.
"Having an amazing time at my end of tour/ belated bday party!" she wrote on Twitter on Saturday. "Thx so much to the Conrad Condado Plaza for giving us a place to celebrate this tour & my 30th bday last night - we all loved the party!"
But the fun hardly ended with the party. For her final performance of the Femme Fatale shows the following day, Spears was joined by some of her family and friends onstage.
"That's a wrap! The Femme Fatale tour is officially over :( Gotta give some end of tour shout outs," she tweeted, before showing some online love to her pals. "To [my assistant] Brett [Miller] and her fierce dance moves! She surprised me on stage tonight during 'Big Fat Bass.'
To all my dancers - u all are basically family. Thx so much for an unforgettable year! Look at this good looking group. To every single INCREDIBLE person on my crew - none of this would of been possible without you. I'm gonna miss u!"
Britney saved her ultimate Twitter thank-you for all her devotees. "And last but DEFINITELY not least - to all of the amazing fans who I saw on this journey around the world," she wrote. "
ohai Sofia Vergaras ass
Sonntag, 18. Dezember 2011
i heart Amy Childs
Dave Grohl, Josh Homme, John Paul Jones Unveil Supergroup
Dave Grohl (file)
Photo: Jewel Samad/AFP/Getty Images
Officially, Lollapalooza ended Sunday night in Chicago's Grant Park, with dueling sets from the Killers and Jane's Addiction. Unofficially, it ended very early Monday morning, across town at venerable rock club the Metro, with a surprise show by Them Crooked Vultures.
To the unfamiliar, the Vultures might seem like an odd choice to close out Lolla weekend ... until you realize that they're made up of Foo Fighters frontman/ former Nirvana drummer Dave Grohl, Queens of the Stone Age mastermind Josh Homme and Led Zeppelin legend John Paul Jones. And their gig at the Metro was their world premiere.
According to some reports, the Vultures actually turned down Lollapalooza founder Perry Farrell's request to replace the Beastie Boys as headliners at the festival, opting to debut in front of some 1,100 super-psyched fans at the Metro, rather than 75,000 in Grant Park (tickets for the gig were announced via Foo Fighter/ QOTSA fan clubs). Meaning that, in a lot of ways, this was the most sought-after ticket in town.
Taking the stage just after midnight, the Vultures — Grohl on drums (of course), Homme on guitar and vocals, Jones on bass and keys and frequent QOTSA contributor Alain Johannes on guitar — ripped through 12 songs in 80 minutes, all taken from their upcoming debut, which may or may not be called Never Deserved the Future, and may or may not be hitting stores on October 23 (early "promo" videos touting both those facts were revealed over the weekend to be hoaxes perpetrated by QOTSA fans).
The songs, with appropriately Homme-ian titles like "Scumbag Blues," "Mind Eraser (No Chaser)," "Caligulove" and "Interlude w/Ludes," sounded pretty much how you'd expect, given the band's pedigree. They rocked, hard — Chicago Tribune critic Greg Kot described them as "fresh, invigorating and just plain nasty" — delving off into psychedelic, reverb-filled excursions and exploring proggy territory, "both of the old-school Yes variety, and the more modern Tool flavor," according to the Chicago Sun-Times' Jim DeRogatis.
It's not known if Monday's Metro performance was a one-off event for the Vultures — there have been whispers of a full-blown tour, but a spokesperson for Homme had not responded to MTV News' request for comment at press time. Nor was it clear whether or not they'll have an album out in October.
Early Monday, a Crooked Vultures Twitter account, which had previously posted links to the band's official-looking Web site and the Metro's online ticketing site — posted a link to what appears to be the group's first bit of official merchandise: a Deserve the Future T-shirt. Cost: $30.
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Michael Jackson Doctor To Be Sentenced Today
Dr. Conrad Murray
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Former Michael Jackson doctor Conrad Murray will learn his fate Tuesday morning (November 29) in a Los Angeles courtroom. The cardiologist, who was found guilty of one felony count of involuntary manslaughter November 7, is facing up to four years in state prison in the death of the pop icon.
Though the jury reached a unanimous verdict in the case, due to recent changes in California law aimed at lessening prison overcrowding, experts told MTV News that it's unlikely Murray will spend much, if any, time behind federal bars.
At the time of the verdict, Los Angeles-based criminal defense attorney Mike Cavalluzzi told MTV News it was too early to predict what kind of time Dr. Murray might do, calling the decision one of the toughest ones facing Judge Michael Pastor in the wake of the six-week trial.
"[Pastor] will have to seriously consider all of the mitigating factors which would lean toward Dr. Murray not doing any jail time and all of the aggravating factors that would lead toward him going to state prison," said Cavalluzzi, who was not involved in the case but has represented a number of clients facing felony charges. "It seems to me, at first blush, that any jail time wouldn't be appropriate in this case given the fact that Dr. Murray has no criminal record and there truly was no malice, no intent to actually harm Michael Jackson at all. What he was really doing was succumbing to the wishes of a patient, and unfortunately, that patient was not a person whose wishes should have been succumbed to."
After Murray was found guilty and swiftly sent to jail with no bail, his attorneys said they were planning to appeal the verdict. They will wait until after sentencing to do so, but either way, Murray will face the loss of his medical license in California. One of Murray's defense attorneys, Nareg Gourjian, said at the time that the doctor's team plans to ask for probation but expects his client to spend just "a little bit" of time in county jail.
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